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20. The Door
in the Floor - A John Irving adaptation that feels like a novel
on the screen… but I mean that in a good way. This film has grown
and grown on me over the six months since I first saw it. Jeff
Bridges gives a performance that looks to be a bit over the
top, but is anchored with enormous subtlety. Kim Basinger looks
as worn as her character is meant to and is still as fragile and
beautiful as ever in one of her most mature turns. It is a beautiful
little film. |
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19. Dogville
- Some people hated it. I can understand that. It is insanely theatrical
and the work of an unrelenting show off, but for me, it was Lars
Von Trier's first really complete work. It is ironic that both
this film and Birth feature Lauren Bacall, since that
film is quite theatrical as well. For me, this film does an fascinating
job of scraping away at the human condition and the constant shifting
from darkness to light and back again. . |
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18. The Assassination
of Richard Nixon - Neils Mueller's examination of a desperate
life struggling to find the light is one of the true undiscovered
gems of the years. Sean Penn gives one of his best performances
ever. Jack Thompson, Don Cheadle and Michael Wincott
give amazing performances. And the intimate portrait of these lives
is filled with small insights that make it well worth seeking out.
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17. Dodgeball
- How many times can a film make you laugh at someone getting
hit really hard by a flying object? I don't think I'll be able to
answer that question until I see Dodgeball 2: The Quest for More
Money, because this one got me laughing every single time. It is
a shame that people keep referring to this as a "Ben Stiller
movie" because Stiller - who plays one of his broad caricatures
here but really makes it work with occasional humane nuances - is
not really the story here... Vince Vaughn is. It is Vaughn's
humanity and vulnerability that drives this one. That and a lot
of groins getting hit. |
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16. The House
of Flying Daggers - The ultimate grind house film, Zhang
Yimou takes all the melodrama, action and hyper-reality and
brings it together with technology and style more elegant than any
Shaw Bros. film ever made. If you like these kinds of films,
you will find none better in the genre. It's a little long at 119
minutes… which reminds one just what a joke Kill Bill's three
and a half hour running time really is. |
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15. The Sea
Inside - A powerful, beautiful movie about living, as expressed
by a man who wants to die. Alejandro Amenabar is a fine young
director who will be giving us great films for a long time to come.
But it is Javier Bardem that is the story here. Perhaps the
finest actor of this generation, the fact that he is Spanish has
kept him the most underappreciated of gems. But his performance
here is the stuff of legend. |
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14. Tarnation
- There will never be another film quite like it. There can't
be. It is Jonathan Caouette's life and while there may be
a few people out there who have documented their lives as thoroughly
as Caouette, few will see it as fodder for art. We have no idea
whether Caouette can direct a film… only that he has amazing taste
and that he is, above all, an artist. |
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13. Eternal
Sunshine of the Spotless Mind - It is impossible to turn away
from this droopy, anxiety-ridden look at the human heart. It is
Charlie Kaufman's most powerful script because it doesn't
linger in the clever tricks that Kaufman often allows himself… even
though the central conceit is out of reality's reach. Michel
Gondry just can't stop throwing stuff at the audience, but Jim
Carrey and Kate Winslet keep our emotional treads firmly
on the ground and like any wonderful memory, keeping this story
of human resilience on the tip of our tongue. |
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12. Kinsey
- Bill Condon's turn here is underestimated. He took a dry
life and made it as rich and complex as the reverberations of this
man's work. The film is very funny and challenging in scene after
scene. As a director, Condon stretches stylistically and also gets
some of the best work we've seen in a while out of a large group
of supporting actors. But mostly, he drew a torrent of thought and
activity around a man who could not see his own reflection. Excellent. |
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11. Twist
of Faith - A really fine look at how damage in our childhoods
keeps creeping into our adult lives. The story here is about a pedophile
priest and focuses on one of his victims, now a grown up husband,
father and fireman. Kirby Dick knows how to get out of the
way of people… especially people with vulnerable egos… and lets
them tell their own stories. It is a technique in which the hand
of the documentarian completely disappears… but when you think about
it is, by necessity, as strong on the wheel as any filmmaker's. |
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