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10. The Incredibles
- It's just so much fun. It is 2004's ultimate piece of derivative
filmmaking… yes, a good thing… because the reconstruction of all
the genre materials does manage to be greater than the sum of its
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9. The Bourne
Supremacy - When I wrote about this film over the summer, the
result was a flood of e-mails from various members of the production
team who wanted to make sure that the accolades were spread around
to everyone who contributed. The team effort, lead by director Paul
Greengrass, producer Frank Marshall, screenwriter Tony
Gilroy and Matt Damon brought together one of the best
and most thoroughly satisfying action movies in years. |
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8. Hero
- The more powerful of Zhang Yimou's two masterworks this
year… though it sat on the Miramax shelf for more than two years
before finally getting released here in the U.S. The film is a Rashomon
take on a classic Asian legend about The Emperor and The Assassin.
Its thematic chapters are set in distinct palates by Zhang and rock
star D.P. Chris Doyle. It reverberates as deeply as the amazing
drums of its score. |
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7. The Polar
Express - IMAX 3D - How could a movie that so misses the mark
in one format be one of the best films of the year in another? I've
never seen anything quite like it before. But in IMAX 3-D, this
films transforms into one of the great movie experiences you will
ever have. You are inside the book. And all of the work the Bob
Zemeckis & his legions put into it can be seen and appreciated
fully. Ironically, this format was an afterthought. But as it worked
out, it is definitive… as a film and as an IMAX experience.
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6. Million
Dollar Baby - Eastwood has become the ultimate deconstructionist
and M$B is so curt and clean that some mistake it for being simple.
But the score of this film, written by Eastwood, very much works
as a metaphor for the rest of the film. It is quiet and subtle,
laying out one brisk note after another… but it so distinctly fills
the void that it is as powerful as most any cacophony. |
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5. Bad Education
- Almodovar's creation suggests an artist working around the apex
of his powers. There is so much going on here and so few easy landmarks
that Almodovar has pushed his work right out of the comfy awards
cradle that he has gotten used to. But this groundbreaking fag
noir is, in the best way, a film that one cannot imagine any
other filmmaker conceiving and achieving. |
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4. The Motorcycle
Diaries - Walter Salles' coming of age road movie just
happens to be the story of one of the most iconic and individually
uninvestigated figures of the last 20th century. But mostly, it
is the journey of two young men who do what most people only talk
about. Somehow, the film got caught in the political crossfire of
the American election cycle and got pulled out by the undertow.
But it will last long after this election was forgotten.
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3. The Five
Obstructions - A film that every young artist must see... perhaps
the best ever made about the nature of art. The young lunatic tries
every way he can to stop the elder statesman from expressing himself,
trying with obstructions to turn one man's art into a reflection
of his own. But as with any artist worth their salt, the work will
out. |
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2. Sideways
- Alexander Payne has made four features in eight years and
two of them are destined for inclusion on any legitimate list of
the best films in history. If Election was from the land
of Wilder & Sturges, Sideways is an American reflection
of the best humanist cinema of France and Italy. This masterpiece
dares to be slight… as in the framework of a complex universe, every
human life is slight. But the nature of human fear and the power
of the heart to overcome… it is rarely writ any larger than it is
here. |
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1. Born Into
Brothels - One person can change the world, one person at a
time. Zana Briski is one of those people who is willing to
put everything on the line and this remarkable document of her experience
at the bottom of India's caste system with children who still have
not been inescapably tainted is one of the most moving and unforgettable
films you will ever see. |
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