September 13, 2002


Dirty Pretty Things
Rated NYR


 

Starring: Audrey Tautou, Chiwetel Ejiofor, Sergi López,
Sophie Okonedo, Benedict Wong
Directed by:Stephen Frears
Producer:Tracey Seaward, Robert Jones
Written by:Steven Knight

The day continued happily with Stephen Frears’ latest, DIRTY PRETTY THINGS, which offers a very different view of the immigrant experience.  In most ways, it isn’t an immigrant movie at all.  Being in London without proper papers drives the actions of the lead characters – Okwe, a bell captain/taxi driver played by Chiwetel Ejiofor and Senay, a hotel maid played by Amelie’s Audrey Tautou. 

London is a dangerous place for a man with secrets and no immigration papers, like Okwe.  It’s every bit as dangerous for a sweet-faced Turkish virgin like Senay, who secretly works for cash, since legally she has to wait for a status shift that allows her to work legally in London. 

Elements of earlier Frears films like My Beautiful Launderette and The Grifters mix with original ideas in Steven Knight’s tightly constructed screenplay.  Sergi Lopez is the hotel manager who has his entire building wired for kickbacks.  Sophie Okonedo is the hooker with the heart of brass.  And Benedict Wong is Okwe’s even-tempered Asian friend with a job at the hospital’s morgue that keeps him in nights. 

Dirty Pretty Things can be a tough, bloody ride.   Open body wounds are no less raw than the emotional wounds carried by some of these characters, imposed by the soulless that take advantage at any turn they can.  But it is a smart, clever movie with strong characters and performances that we haven’t seen before.  Tautou is on a wholly different note than in Amelie.  And Chiwetel Ejiofor is a real find.  He appeared in Amistad… tiny world, when I am seeing great, career-building performances by Amistad graduates back-to-back.  But this will be his first worldwide exposure.  Ejiofor has great strength of character as an actor.  I will look forward to his next roles. 

Frears has always been a hard one to peg.  He’ll make a hit like The Grifters and a commercial miss that deserved better like The Hi-Lo Country and dead miss like Mary Reilly, then come back with an urban romantic dramedy like High Fidelity, work in live television and deliver a small wonder like Dirty Pretty Things, which takes its place in the domain of 70s style Brit thrillers like Sexy Beast and Croupier.    Good movie.

 

 

©2002 The Hot Button.com
All Rights Reserved.