February 21, 2003


Old School
(Dreamworks) Rated R

Release Date - February 21, 2003


 

Starring: Luke Wilson, Will Ferrell, Vince Vaughn,
Juliette Lewis, Ellen Pompeo
Directed by: Todd Phillips
Produced by: Dan Goldberg, Joe Medjuck, Todd Phillips
Written by: Scot Armstrong, Todd Phillips, Court Crandall

 

You ever see a movie that you know in your gut is going to be a lot of people’s FAVORITE film for a while, but you don’t really see the big deal and can’t really get too excited about it and feel like you need to see it again to not feel like you are being overly judgmental and not a good enough sport?

That’s how I feel about Old School.

I laughed.  It’s funny.  It’s got Ellen God-I-Need-A-Role-That-Lasts-Longer-Than-10-Minutes-Again Pompeo.  I like Luke.  I like Vince Vaughn.  I have a buddy that swears that Will Ferrell will be the next Jim Carrey.  (Maybe the next Rob Schneider.)   And I really like the premise. 

So what’s wrong?  It’s really simple.  Todd Phillips really isn’t much of a director.  I’m sure he’s a good guy and he seems to run a very relaxed set, but the skills to shoot a comedy and to get the most out if it are not easily mastered.  This doesn’t mean that the film won’t be a big hit.  But Phillips’ screenwriting and casting prowess supercede his gifts behind the camera by a long distance.  Say what you will about John Landis, but he knew how to do movies like this – not visually showy character comedies – better than anyone in his day.  Harold Ramis, as it turns out, can direct them, but doesn’t always know when his screenplays are wanting. 

What is the trick?  I’m not 100% sure.  But there is something about layering a gag so that it builds and builds and builds that is a delicate thing.  Will Ferrell getting naked and running down the street with his very amusing ass hanging out in the wind should have been the funniest sequence in any movie this year.  But it’s not.  It’s funny.  But it’s funnier in our heads than on the screen. 

I think a lot of it has to do with patience.  Set the scene.  Establish the space.  The set-up is every bit as important as the punchline and, in film, the camera is a key part of that set-up.   Move the characters in.  Let them work.  Let them build. 

The screenplay may have the joke and the set-up and some blurry idea of where it’s going.  And Will Ferrell naked, jumping in the S.U.V. with the wife who thinks he’s not drinking anymore and her girlfriends will get a laugh.  But if one of the girlfriends has a secret crush on the guy and another is talking to the woman about her sex life with the husband and the third one knew him in high school… I don’t know… something… something other than 3 random women in a car and the driver’s husband streaking.  Good comedy, naked.  Great comedy, naked, plus.  That’s all I’m sayin’.

 

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