Sex
is Comedy
Rated NYR
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Starring: Anne Parillaud, Grégoire Colin, Roxane Mesquida,
Ashley Wanninger, Dominique Colladant
Directed by: Catherine Breillat
Produced by: Jean-François Lepetit
Written by: Catherine Breillat
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You know,
Catherine Breillat was feted a number of times last
year as her film Fat Girl arrived as a pathetic disappointment
after Romance, which many of us felt was quite daring
and brilliant. All
the adulation seems to have gone right to Ms. Breillat’s already
bulging ego.
In most Breillat
movies, at least one woman ends up masturbating on screen. In Sex Is Candy, her newest, Breillat herself manages to
jerk off for 92 long minutes and never comes… she actually
seems to fake herself into thinking she’s had an artistic
orgasm. But all she really gets is an emotional teenage girl who cries when
the male actor in her deflowering scene does or does not –
whichever way, he’s right there – penetrate her with his made-for-the-film
fake erect penis.
Brava, Catherine!
Imagine a
movie about the last years of Orson Welles in which
he hires Tom Cruise to play “Morson” and gives the
actor line after line about how scary directing a movie is
and how brave he is to move forward at all and just what a
genius he really is. Given
that it would be Orson Welles, it would be horribly
self-indulgent, but somewhere in the range of the almost acceptable.
But Ms. Breillat is no Orson Welles.
She’s barely Orson Bean.
Of course,
she commits the greatest sin of all in Sex Is Comedy…
she bored me to jokes. I mean, really, by the end her on-screen persona
reminded me more of Pepe Le Pew than of a truly smart,
feminist director. And
I kept thinking that although Anne Parillaud did a
good job with the role, Breillat would have a better movie
had she hired an actress who looks more like Breillat looks…
nice looking, but unexceptional… and squeezed into her usually
overtight jeans and tops.
Not that there’s anything wrong with a woman being
built like a woman. But Parillaud is rail thin and a true beauty. When she sleeps with her 20something assistant,
there’s nothing shocking about it.
She’s a hottie. Yet
Breillat’s whole point seems to be what a genius she is… which
is lost.
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