September 10, 2002


Stevie
Documentary Rated NYR


 

Directed by: Steve James
Producer: Steve James, Adam D. Singer, Gordon Quinn
Written by: Steve James

Finally, I saw Stevie, the new documentary from Hoop Dreams director Steve James.  No, it’s not an auto-doc.  However, James is a character in Stevie’s life and he is very much a part of the film.

I want to be fair to Stevie because I appreciate James and documentaries and I want to love it to death.  But while it was well worth seeing, it didn’t have the lift that I might have liked, literally and figuratively.  I mean “the lift” literally in that the film does not come to a satisfying ending… at least not for me.  And figuratively, the film doesn’t quite have the central character to be unforgettably burned into your brain, frame–by-frame. 

Stevie is a white-trash kind of guy in his early thirties when Steve James comes back into his life.  You see, SJ was Stevie’s Big Brother for five years back in the early 80s.  Stevie’s troubles are extensive, from basic poverty to having been abused as a child.  His mother is out of touch, even though she lives less than 100 yards away from Stevie.  He’s been in and out of prison over the years.  And he is in love with a physically challenged woman. (I use the PC phrase not to be PC, but because I don’t recall exactly what her ailment is.)

And soon after we meet him, we find that he has a much bigger problem... he has been accused of molesting his six-year-old (5? 7? 8?) niece.  This brings his family’s myriad issues to the fore and poses a 20-year-long threat to Stevie’s liberty.

I did like this film.  And I can see how it would have a very powerful effect on some audiences.  But I think that Steve James failed in his effort to do a strong job with his own presence in the film.  It’s not that I don’t think that it’s okay for a documentarian to be in his own movies.  It’s fine.  But it is challenging.  And while I think James meant well by not overwhelming the film with his personal positions about Stevie, he was enough a part of the story that his personal journey must have been more complex than offered in this film.  And I wanted to know.  I also wanted him to investigate the nightmares of Stevie’s life more aggressively.  And major, ugly moments were passed by so quickly that not everyone even heard that certain things happened.

Stevie will get a lot of attention.  And it will deserve it.  But I don’t see it as this year’s Hoop Dreams or even anything close.  These are not characters that are going to find an easy home in the hearts of Academy members.  But do check it out.

 

 

 

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