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4
August 1999
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Xita
writes: "Your articles always make me really mad. You are not at all
fair. You can't give credit where credit is due. You spend countless
columns defending Godzilla and worshipping The Matrix
(one obviously not deserved and the other one obviously so). On the
other hand, you spend your time harassing movies that have buzz and
do well at the box office. The Blair Witch Project ha(s) gotten
better reviews than either of the above movies or your other beloved
picture (Star Wars). Let's face it, a movie columnist you might be,
but nobody would ever use you to pick critic's circle's prizes or the
Oscars® (The Blockbuster Awards maybe). You don't want to give credit
to the movie TBWP because you feel somehow that if you do you will be
humbled or perhaps (it is) more scary (for you) to you be proved wrong.
You have done it before and I expect you will continue to do it. You
are the reason that I have begun to avoid RoughCut and I wish they would
get another columnist, one with an open mind. Oh, of course most of
your letters would be negative, most of your readers are your flunkies.
Most people who disagree with you (silently as I have), have left long
ago realizing that you never change your mind. Listening to what others
have to say is really a skill you might want to try to master. TBWP
will continue to do good business even while people like you are trying
to bring it down. Titanic had incredibly bad buzz after a few
weeks. People got fed up with hearing about it, yet it continued to
do business because it was a good movie going experience. Don't be surprised
by anything.
DAVID
RESPONSE
: No point in responding to much of this in public. But, please note Xita,
roughcut.com was the only non-TBWP Website at the premiere of The
Blair Witch Project. Why? Well, we did have the advantage of a good
relationship with Yahoo! But more to the point, I decided we needed
to be there when the opportunity arose. Roughcut.com paid for the
trip, but the decision to go was 100 percent mine. I understood then,
as I understand now, that a lot of people absolutely love this movie.
And frankly, I have been shocked at how many people have not liked it
at all. I'm not sure what readers like this expect from me. Maybe I'm
not writing enough press releases for the films they love. Sorry, not
my job. A columnist with "an open mind" is a columnist without a mind
of his/her own. This theme continues in the last of the letters.
RB: "Saw BWP
with a packed audience. I have to say that the only thing that freaked
me out (were the scenes) while they were sleeping and then running. What
is the big deal about this film? I could've seen this on public access.
It's not bad, but nothing great either. I've also never witnessed such
a negative vibe after a film. People stated a few lines like "I should've
seen American Pie!" or "That was it!!?!!" or "That sucked." One
person complained about waiting in line to see a "stupid home video."
Most of the audience seemed to just talk quietly and nod their heads at
what they had just seen. I found the audience's reaction more entertaining
than the movie. I hate when I keep looking at my watch and falling asleep
to such a short "movie!"
Jana: "I wonder
if someone could conduct a poll to find out (if) those who didn't like
it were non-readers. So many films fill in every blank that one doesn't
have to exercise imagination. Reading involves self-made image making.
Thus, I suspect but do not know that those who didn't like it have lost
some ability of imagination from too much video and not enough reading.
This was a good ghost story. I'm surprised at the reports of motion sickness
because I'm a long time sufferer, can't see IMAX films, but didn't get
queasy here."
JC: "What is
this July's answer to, 'How far can hype carry a movie?' Well, a projected
100 million dollars. Un-real. I think The Blair Witch Project as
an event deserves four stars, up there with Star Wars and JFK Jr's ocean
landing. But as a film? Tedious garbage. A couple of Frat guys were sitting
beside me, obviously sucked into the hype surrounding it and not only
did it bring them (in hordes) to the theater, it brainwashed them into
sitting through and simulating enjoyment. They like it because the hype
has told them they are supposed to. The Blair Witch Project is
the fake orgasm of the year. As a mock-umentary it blows because, what
is the point of making something fiction if you're going to use bad, mundane
improv techniques and terrible film stock. Gritty realism? Hardly. I felt
like I was watching "America's Funniest Home Videos" with Daisy Fuentes
or MTV's "The Real World", a really terrible episode of MTV's "The Real
World". As a fictionalized piece of art, it just doesn't work. Structure
isn't a mess or confusing, it is non-existent. Dialogue? Well, I mentioned
it.
Theme? Impossible to
gauge because of the lack of aesthetic congruity. As horror, get real.
Next time, in The Blair Witch Project 2 or whatever, it would be
scarier if we couldn't see out of the woods. Rocks and twigs, horrifying?
I know that it takes a certain level of skill to make a film where the
audience doesn't see what it is they are scared of, they don't see the
monster or the witch or the werewolf. Hitchcock was the master of this,
as we've all heard. Well, that isn't an end all. Just because you don't
show it, doesn't mean we'll be scared. I didn't see the monster in You've
Got Mail and I wasn't frightened. I didn't see the real terror in
Runaway Bride, they never showed it but I still wasn't terrified.
As non-fiction, it isn't an entity. It is fiction. It has been hyped as
"non-fiction" on Web pages and crossover television specials. This goes
along with my thought of JFK as the film of the '90s...it ushered
in an era in which the public suspects it's getting lied to, knows it's
getting lied to, and eventually, doesn't even give a damn.
I got into a little
verbal argument with the Frat dudes as I walked out of the theater. This
one, in love with the crap, says, sure of himself, "Man, you just don't
understand what makes that a scary movie." "Buddy," I reply, "I don't
understand what makes that crap a f***ing movie, period." Have a great
rest of the summer, Dave. Here's looking forward to the fall and Scorsese,
P.T. Anderson, Kevin Smith, Ang Lee and the rest
of the bunch, the directors who made 1997 so wonderful.
"Page 3, Blair Witch In Detail"
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