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July 2000
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THE
WORST OF THE FIRST HALF OF 2000
10. The
Skulls - Meaningless crap attempting to be commercial. You'd
be better off with an episode of "Dawson's Creek" on an old black & white
TV. Pathetic on every level except production design, which was crafty
but so far over the top, that it should have been in 3-D to really makes
its point.
9. Mission
To Mars - Brian DePalma tries to rob Kubrick's grave,
but Kubrick has all the good stuff hidden. A kind of movie where the most
important story elements that are set up in the first act NEVER are paid
off. Instead we get a weightless dance sequence. It looked good, but then
again, it meant NOTHING. What a waste.
8. Reindeer
Games - How the Frankenheimer has fallen. Critics, desperate
to remind readers that he was once a great filmmaker, reviewed Frankenheimer's
career and not this pointless, logic-free non-thriller. One thing you
can say...it was unpredictable. Because nothing that should have happened
ever happened. It was so busy trying to twist that it became an undercooked
poached egg of a movie.
7. Chuck
& Buck - Call me homophobic, but I hated this film. Why? Because
this film is homophobic. And heterophobic as well. The lead character
is a gay obsessive with nary a single positive quality about him The man
he's obsessed with is engaged to marry a woman, but apparently really
wants to be gay, he just can't accept that. The movie also abuses the
hell out of women. I don't find any of that funny. And I don't think the
gay community would cheer a movie about a crazed woman who had a fling
with a man who turned out to be gay and then stalked the gay man when
he was about to get married until he slept with her and he acknowledged
that he really likes women, but that being gay is better for his career.
This is pretentious arthouse crap of the lowest order.
6. Hamlet
- Speaking of pretentious crap, I still haven't found a critic who can
tell me why anyone is giving any credit to Michael Almereyda's
Hamlet other than to say, "there were some great ideas there."
Absolutely. I agree. Great ideas. All left dangling. This is a movie for
people who want to think they are smart. It is an intellectual bit of
deconstruction, but it is so sloppy that it simply does not work. Except
as an outline for the real movie. Whether Mr. Almereyda has the skills
to make that movie, no one knows. All I know is that I would have preferred
a 9-hour trip to a dentist rather than 90-minutes of this thing.
5. What
Planet Are You From? - Mike Nichols, one of my very
favorite filmmakers, made his worst film ever this year. Worse than Wolf.
At least that film took itself seriously. Outside of a nice performance
by Annette Bening and the opportunity to see Judy Greer
work and work naked, there was nary a frame of this film fit for cable
TV. It's just not funny, folks. And Garry Shandling as sexual bait
is like dangling arugala in front of hungry dogs. They're going to bite
your hand off.
4. Love's
Labours Lost - Okay folks, I like Shakespeare adaptations.
I have no problem with playing around with the Bard, even to extremes.
But Ken Branagh took a soft Shakespeare play and added great music
that he clearly didn't understand the meaning of and made a movie that
was like listening to the same song mis-sung over and over until your
ears were bloodied. And I put ALL the blame on Branagh. Even when he had
a great "tool" like Nathan Lane, he had to muck it up in this ultimate
vanity production.
3. Battlefield
Earth - It was hideous. It was ugly to watch. And it never
should have happened. But enough about that Good Housekeeping cover with
John Travolta and his son, Jett. Let's talk about Battlefield
Earth. What can one really say? Just say no.
2. Supernova
- Yes, it was actually worse than Battlefield Earth because it
was more boring than Battlefield Earth. And the scene in which
they used CG to color the floating sex-having bodies of Robin Tunney
and Peter Facinelli so that they looked, in another scene, like
James Spader and Angela Bassett having sex,in the same exact
way we had previously seen, was one of the truly horrific moments in the
history of motion pictures. And all for no reason. Too worthless to be
laughable. This was special.
1. The
Next Best Thing - What could be uglier than a superstar doing
a vanity project in which she looks worse than Richard Harris in
Gladiator? Well, taking Rupert Everett's still-evolving
career down for the count with you, I suppose. This movie looked bad,
it was stupid, it made women look evil and calculating, it indulged gay
bashing, it had a cheap AIDS-related subplot, it had dramatic scenes that
got laughs, it made me claw the screening room door trying to escape.
This was one of the worst film experiences I have ever had. And the idea
of even passing its name on the listings on the satellite makes me want
to disconnect everything and move to Tibet.
THE ALL-DELAYED
WATCH-YOUR-BACK TEAM OF 2000
All The Pretty Horses
Daddy & Them
Dieter
Duets
D-Tox
Texas Rangers
The Million Dollar Hotel
Town & Country
The Yards
THE MOVIES
I AM MOST ANTICIPATING THE REST OF THE WAY
Bedazzled
Castaway
The Contender
Crouching Tiger, Hidden Dragon
The Grinch
The Girl on the Bridge
Hollow Man
Moulin Rouge
Dancer
Dancer In The Dark
Family Man
O Brother Where Art Thou
Prozac Nation
The Replacements
Requiem For A Dream
Shadow of the Vampire
Space Cowboys
Traffic
The Uncool/Untitled Cameron Crowe
Vertical Limit
E ME: You have four days...send
me your lists!
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