Week
Of July 30, 2007 - Mon
/ Wed / Fri
July
30, 2007
99
Hollow Points Shot At The Star
99 Gunmen So Far,
If One Of Those Gunmen Should Happen To Fall,
99 Others Will
Be In The Hall
Shoot 'Em Up
is the grindhouse movie that Harvey Weinstein seemed to
think he was going to get when he gave free reign to Tarantino and Rodriguez.
As B movie thrill rides go, the screenplay by Michael Davis kicks
Grindhouse ass. (Tarantino's script, while terrific
in spite of being too long, isn't really a grindhouse film.
It is a QT film, offering his chatty, verbose, self-aware clever dialogue
combined with what turned out to be a terrifically well-made feminist
comedy B-move spoof. And Rodriguez's screenplay had too
many ideas and no discipline.)
The movie, in the
odd tradition of B movies, makes very little sense, is stuck together
with endless Band-Aids of illogic, defies rational analysis ... and
is a Die Hard With A Live Free or Transformers in that way, except
that I expected different things of those other films. From Live
Free or Die Hard, I expected a Die Hard movie ... and was
not offered one. With Transformers, there was so much expositional
masturbation that my willingness to accept things made no logical sense
was disintegrated, since if there was enough time for the wanking, there
was enough time for logic.
Now don't get me
wrong. As a director, Michael Davis is not in the class
of Tarantino, Rodriguez, Bay, or even Wiseman at this point in his directing
career (the very start). He had a bigger budget for this film
than for any of his direct-to-DVD features that he previously knocked
out ... but still nothing in comparison to any of the other directors.
Would the extra money have helped? Who knows how much or how little?
However, Davis as
screenwriter - with a hand from producers Murphy, Montford, and Benattar
and, of course, veteran make-it-work editor Peter Amundson -
doesn't let us look at his directing limitations for very long.
Usually when people say a movie is wall-to-wall action, they are engaged
in hyperbole. Not this time.
Normally, I don't
like to set up the story too much, but in this case, reading this in
print will probably inform your understanding of just how much a feat
it is that this is a watchable, enjoyable experience.
Shoot 'Em Up
is the story of an unarmed loner who is waiting for a bus, sees
a pregnant woman being chased by an angry man with a very large gun,
goes to help her and ends up in a gunfight with a dozen or so assassins.
He ends up with the baby, but is thwarted in his attempts to abandon
it, so he takes it to a wet hooker (a hooker who specializes in men
who want to suck on the breast of a lactating woman) and this make-shift
family has to figure out why everyone - dozens if not scores - is trying
to kill them. Meanwhile, Paul Giamatti is the big brain
behind the men with guns who also gets his hands dirty ... a lot ...
aka the intellectual Elmer Fudd to Clive Owens' wascally
wabbit.
It's insane ...
and this doesn't begin to tell you how insane. This is the
kind of movie where characters are always rattling off other people's
bullet counts, but can also outrun machine guns, fly through the air,
and make vehicles do magic tricks. But again ... not in the irritating
way like when a Bond film gets too loosey goosey. It really is
a B movie and these are the things that B movies do. This is Alligator
and Death Wish and Walking Tall (the original) and
Billy Jack and Gone in 60 Seconds (the original).
What it isn't quite is Halloween or The Killer or The
Hidden or Reservoir Dogs ... it's not quite that kind of
B movie perfection. But it's the best we've seen around the multiplex
from an American in a long, long time. Snakes on a Plane
worked as a movie ... and this is a significant step up from that, even
with all its failings.
Then there are the
odd elements that somehow seem right, even if they seem wrong.
For instance, Monica Bellucci, who will drop her top at the hint
of an artistic pretense, doesn't show her boobs here, even with her
character being defined specifically by her boobs. They don't
even do a fake insert of someone else's lactating boobs. That's
a low-budget non-studio play all the way.
Then there is
Daniel Pilon as the Senator. First, there is always a Senator
in these movies. Second, he is always played by Peter Strauss.
But in this case, Strauss is a non-Canadian and to get those tax credits
from Ontario, so we got the handsome, bland Mr. Pilon of Montreal.
Low-budget!
And where there
is a Senator, there is a convoluted reason for him to be in the story.
And Shoot 'Em Up is no different. I could tell you what
the story about the Senator in the film was ... or I could try.
I really don't know whether I have it right and I really don't care.
Shoot 'Em Up
is grindhouse dim sum. A bite here and a bite there of unbelievably
tasty and surprising and engaging stuff ... you can't spend too much
time thinking about what is in the filling or your might vomit ... and
you will be hungry for more as soon as the movie credits roll ... but
as you roll it on your tongue, gulping and laughing and screaming and
spitting, it's a joyous plate of entertainment.
Jujubes, nachos,
Red Vines, and Shoot 'Em Up. Now that's good junk!
E
Me.
Week
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